tim ingold search and search again

Here’s Tim Ingold talking through some ideas about research and art (and truth and novelty) at CCA in Glasgow (14 February 2018).

Thanks to Rosemary Lee for sharing the link.



journal of artistic research: vol 14

The Journal of Artistic Research has published Issue 14:


The issue includes a very useful editorial on the term exposition: “that in the act of exposition, that which is seemingly exposed is also constituted”.

transmission interruption: hard drives fail

Hard drives fail.
They do.
This of course has nothing to do with practice-as-research but I’ve heard so many cases recently of people working in the academy who have lost hours, days, even weeks of work simply because they have the (very mistaken) belief that hard drives are infallible.
The worst thing about hard drive failure is that often you get no indication that it’s happening. One moment all is good, the next all is not good.
There is nothing you can really do to stop hard drives failing.
But, you can have a simple backup system that builds in redundancy in case of theft, fire, digital fuck-ups, document corruption[1] or of course hard drive failure.
Here are some backup basics courtesy of the NY Times: https://www.nytimes.com/2017/03/31/technology/personaltech/data-backup-guide.html

Other thoughts/ideas:
– make a copy of the main document (or documents) you are working on (e.g. PhD thesis) every day and then archive the old version (which will get backed up using your awesome automated backup system), give the new version today’s date and get started
– use automated backup (e.g. Time Machine on Mac OS)
– use cloud based syncing software (e.g. Dropbox) as a fall-back backup system. Services like Dropbox are really for syncing, not backup
– use at least two external hard drives for different backups (i.e. external hard drives fail as well!)
– it will happen to you (some day)

Normal practice-as-research service will resume next week.

  1. Documents get corrupted all the time, but my experience is that it is more likely the more complex (and more precious) the document is (e.g. PhD thesis)!  ↩

call for submissions – jar

I can’t find any direct link to this call for submissions for the Journal for Artistic Research, but here are some basic details.

Call for Submissions: JAR Issue 14 – Autumn 2017

The deadline for consideration is 17 March 2017

To be considered for Peer Review, the editorial board considers:

1. Whether the exposition exposes artistic practice as research. This goes beyond simply documenting, describing, or writing about work. It engages with questions and claims about knowledge within practice. For a detailed articulation of this please read the editorial to JAR0.
2. The degree to which the exposition is conceptually and artistically strong, considered, and significant to the field.
3. Whether the multimedia and design capacities of the RC have been used effectively and meaningfully to support the argument or understanding of the research.

To submit an article, contributors are required to register for an account on the RC and use the online writing space to layout and expose their research. JAR provides editorial and technical guidance with these processes.

For our guidelines on submissions visit:

For submissions information, and advice on whether your research is suitable for JAR, contact the Managing Editor, Phoebe Stubbs, at submissions@jar-online.net

journal of embodied research

Journal of Embodied Research is the first peer-reviewed, open access, academic journal to focus specifically on the innovation and dissemination of embodied knowledge through the medium of video.


It will be very interesting to see how the journal pans out, and in particular what conversations emerge out of how we might understand embodiment in relation to screen-based performance and work.



intermedial praxis

Joanne Scott has had a book published called Intermedial Praxis and Practice as Research: ‘Doing-Thinking’ in Practice, which seems to be based on her practice-as-research doctoral research at the Royal Central School of Speech and Drama in London. There is also a companion website at intermedialpraxisandpar.wordpress.com.

I still worry about how few examples of practice-as-research there are for current MA-level and PhD students so I’m delighted that Joanne has taken the time and care to make this happen.

The blurb on the publishing site says “Provides first hand observations of theory in action”. Is this what practice-as-research attempts to do?

Joanne’s personal site is at joanneemmascott.com